SKU: 17245624693

"Bijoux Et Objets De Jean Schlumberger" 1976 VREELAND, Diana [Bijoux] / d'ORMESSON, Jean [Objets]

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"Bijoux Et Objets De Jean Schlumberger" 1976 VREELAND, Diana [Bijoux] / d'ORMESSON, Jean [Objets]2 volume set w silk boards in French English text VREELAND, Diana [Bijoux] d'ORMESSON, Jean [Objets] Objets [130] pp. Bijoux [148] pp. Franco Maria Ricci [editeur] 1976 13 3 4" x 9 1 2" Exemplaire numero: 65 Signed by Jean Schlumberger Jean Michel Schlumberger (June 24, 1907 August 29, 1987) was a French jewelry designer especially well known for his work at Tiffany & Co. Family and early life Schlumberger was born in then German Mulhouse, France to a

2 volume set w/ silk boards in French/ English text

VREELAND, Diana [Bijoux]

d'ORMESSON, Jean [Objets]

Objets [130] pp.

Bijoux [148] pp.

Franco Maria Ricci [editeur]

1976

13 3/4" x 9 1/2"

Exemplaire numero: 65

Signed by Jean Schlumberger

Jean Michel Schlumberger (June 24, 1907 – August 29, 1987) was a French jewelry designer especially well known for his work at Tiffany & Co.

Family and early life

Schlumberger was born in then-German Mulhouse, France to a well-to-do family involved in textile manufacturing. His father was Paul Albert Edouard Schlumberger (1877-1952) and his mother was Elisabeth Schoen (1884-1942). He had four siblings; Daniel Schlumberger (1904-1972), Pascal Alfred (1911-1986), Isabelle Françoise Elisabeth and Jacqueline. He sketched constantly during his youth, but his parents tried to discourage his artistic interest by refusing to allow him to undertake formal training.

Schlumberger began his career creating buttons for Elsa Schiaparelli in the 1930s. Schiaparelli later commissioned him to design costume jewelry for her firm. During World War II, Schlumberger was in the French Army and survived the Battle of Dunkirk. He also served under General Charles de Gaulle in England and the Middle East with the Free French Forces.

After the war, Schlumberger came to New York and began to design clothing for Chez Ninon. In 1946, he opened a jewelry salon with his business partner Nicolas Bongard (1908–2000).

Career at Tiffany & Co.

In 1956, the president of Tiffany & Co., Walter Hoving, asked Schlumberger to begin designing for the firm. He had his own workshop at the company until his retirement in the late 1970s and was eventually made a Vice-President.

Schlumberger's designs at Tiffany & Co. were remarkable for their whimsical interpretations of natural forms. He was especially inspired by sea creatures and other animals. Diana Vreeland wrote that Schlumberger "appreciates the miracle of jewels. For him, they are the ways and means to the realization of his dreams."

He quickly built an impressive client base that included the Duchess of Windsor, Babe Paley, Greta Garbo, Mona von Bismarck, Rachel Lambert Mellon, Jayne Wrightsman, C.Z. Guest, Gloria Guinness, Françoise de Langlade, Princess Marina, Duchess of Kent, Lyn Revson, Gloria Vanderbilt, Elizabeth Taylor and Audrey Hepburn.

For his wife, Jacqueline Kennedy, John F. Kennedy purchased the famous Two Fruit clip in rubies and diamonds, which is in the permanent collection of the John F. Kennedy Presidential Library and Museum. Jacqueline Kennedy wore so many of Schlumberger's bracelets that the press dubbed them "Jackie bracelets".

Schlumberger remains one of only four jewelers that Tiffany & Co. has allowed to sign their work: the others are Paloma Picasso, Elsa Peretti and Frank Gehry.

Schlumberger was a very private person but liked to socialize among friends like Cristóbal Balenciaga, Emilio Terry, Diana Vreeland and Hubert de Givenchy.

Schlumberger died in Paris at the age of 80 years old and is buried at Isola di San Michele.

Tiffany Yellow Diamond

One of the most famous pieces that Schlumberger created was the mounting for the famed Tiffany Diamond, which was in the firm's collection since the nineteenth century. The brooch, entitled "Bird on a Rock", incorporates the impressive 128.54 carats (25.708 g) yellow diamond in a fanciful setting typical of Schlumberger's style.

Awards

He was the first jewelry designer to win the coveted Fashion Critics’ Coty Award in 1958. In 1977, the French Government made him a Chevalier of Ordre national du Mérite.

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SKU: 17245624693

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Whiting, US
★★★★★ 5
Truly "essential" for any letterer, whether casual or serious about the profession!
Format: Paperback
When I first got this book, I was a bit disappointed. I thought it was going to be detailing lettering by hand. It didn't. But guess what? It's better for it. As the author, Nate Peikos, demonstrates, the bulk of lettering now is done digitally and with good reason. So not only is this book incredibly inspiring for any graphic artist / letterer -- with its many examples of great lettering; its demonstration of useful techniques -- the author is so open and honest in his writing. While reading it, you don't feel that he's putting the job of lettering out of the reader's reach. In fact, he's putting it right within reach through a humility that is coupled with his exceptional skills. If you're an up-and-coming letterer, someone on the outskirts of lettering wanting to delve into it more professional (like myself), or even if you've had some work doing lettering, there is something for each type in this book. It's a book that I'll cherish and reference frequently, especially with all the examples that just ooze inspiration. My only regret is that I didn't know about some of these techniques a few years ago! But, nevertheless, I started implementing some of the techniques the first day after reading just a few pages. It reinvigorated my own desire to become a better and even semi-professional letterer, a very under-appreciated profession.
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Reviewed in the United States on November 5, 2021
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Simon C
Omaha, US
★★★★★ 4
A great overall book, with one critical omission.
Format: Paperback
This is a great book to illuminate the mysterious art of comicbook lettering. It goes deep into the practical details and theory required to make a graphic novel, manga, or superhero comic with the look and feel of a professional product. But comicbook lettering is actually more than a purely aesthetic art form, it plays a critical role in conveying meaning, emotional mood, and tone of voice. Along with the artwork and panel composition, the layout of the lettering and dialogue balloons is also critical to help guide the reader's eyes naturally from panel to panel. If you're curious about how graphic design for visual narrative works, this is an interesting and inspiring book. My only criticism is the conspicuous omission of perhaps the one topic this author is uniquely qualified to illuminate, and that is: the actual creation of the fonts themselves. I've admired Nate's Blambot comic fonts for a long time (and have purchased licenses for some of them), so I was looking forward to at least getting an overview of how he approaches this seemingly critical aspect of comicbook lettering. But no. He doesn't go into it even slightly, which is a shame, because this would have been the perfect book on the topic if he had. I understand that font design is a huge topic unto itself, but was disappointed that in a book of this size, there weren't even a few pages dedicated to discussing the process of making fonts for comicbooks. Literally anyone reading this book would want to know that information. Having said that, it's a great book, and I still enjoyed it very much. You'll probably be surprised by how much more there is to learn about this topic than you may have thought. Reading it will deepen your appreciation for an art form that, like a great movie score, is basically invisible when done very well, yet amplifies the emotional impact of each contributing discipline, and profoundly contributes to the enjoyment of the final experience.
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Reviewed in the United States on September 22, 2022
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Scott Calvert
Belleville, US
★★★★★ 5
A Lettering Masterclass
Format: Paperback
Nate Piekos is a rockstar. If you want it learn how to letter comics, this is the first thing I would buy. It’s not a fancy book, just practical step-by-step how to do a craft right.
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Reviewed in the United States on May 30, 2026
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Bishop A.
Bozeman, US
★★★★★ 5
Title says it all: ESSENTIAL!
Format: Paperback
This is a FANTASTIC book! The information may seem overwhelming at first, but it is easy to understand. As some reviewers said, it does not spend much time on hand lettering (I assume this is due to the industry going more digital as time goes on). Those who want more information on hand lettering may have to seek help elsewhere. It is mentioned VERY briefly in the beginning, I believe. It includes: step by step instructions on creating speech bubbles, tips on font creations, sentence formatting, page borders, splash/double splash page construction, creating templates that save you time in the long run, making logos, sound effects and much more. This book is a great launching point for anyone looking to start their lettering career or even for anyone that wants to gain an appreciation for an intergral and often overlooked part of Comic books!
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Reviewed in the United States on February 28, 2022
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Bob B.
Birmingham, US
★★★★★ 5
One of the Best "Making Comics" Books Out There
Format: Kindle
Honestly, one of the best books on making comics that I've read. So well done, insightful, well-organized, and easily referential. If you're looking for the basic principles of lettering, look no further than this.
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Reviewed in the United States on June 22, 2025

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