SKU: 2962444508

falling in love porter orchestra di padova e del veneto parente balladore

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Description

falling in love porter orchestra di padova e del veneto parente balladoreFALLING IN LOVE (CVLD128) Composer: LEGRAND, GERSHWIN, CHAPLIN, SONDHEIM, RODGERS & HART Performer: CHERYL PORTER, ORCHESTRA DI PADOVA E DEL VENETO, M. PARENTE, P. BALLADORE Available in: HD File, CD Tracks 01. The summer knows Legrand 02. Bewitched Rodgers, Hart 03. What are you doing the rest of your life Legrand 04. Youve changed Carey, Fisher 05. Never let me go Livingston, Evans 06. No moon at all Evans, Mann 07. You dont know what love is Raye,

FALLING IN LOVE (CVLD128)

Composer: LEGRAND, GERSHWIN, CHAPLIN, SONDHEIM, RODGERS & HART
Performer: CHERYL PORTER, ORCHESTRA DI PADOVA E DEL VENETO, M. PARENTE, P. BALLADORE

Available in: HD File, CD

Tracks

01. The summer knows Legrand
02. Bewitched Rodgers, Hart
03. What are you doing the rest of your life Legrand
04.You’ve changed Carey, Fisher
05. Never let me go Livingston, Evans
06. No moon at all Evans, Mann
07. You don’t know what love is Raye, Dopaul
08. One hand, one heart Bernstein, Sondhein
09.More than you knowRose, Eliscu, Youmans
10. Someone to watch over me G&I Gershwin
11. Smile Chaplin
12. The Sage Parente, Porter


Notes

24bit / 88.2kHz digital recordings made at Auditorium Pollini, Padova, Italy, on September 5 - 7, 2005. All arrangement by Massimo Parente. Cheryl Porter, voice, Massimo Parente, grandpiano, Franco Lion, doublebass, Paolo Balladore, drums. Orchestra di Padova e del Veneto, conductor: Maffeo Scarpis.

With this project, the independent record label Velut Luna continues to assert its role as an Italian leader in the production of albums featuring great female jazz and blues performers, Velut Luna's Sophisticated Ladies. Cheryl Porter is one of the few true great jazz voices of today. Authoritative international critics have described her as an interpreter capable of combining the great class of Sarah Vaughan with the versatility and vocal power of Shirley Bassey. In this album, therefore, Cheryl Porter plays the role of an ideal protagonist, capable of guaranteeing the interpretive authority necessary to succeed in the ambitious aim of recreating the atmospheres and sounds of the great jazz albums with orchestra produced by Capitol Records and Columbia between the late 50s and early 60s: unforgettable pieces from the American songbook, such as Bewitched, You've changed, You don't know what love is, Smile, Someone to watch over me, and many others find in this album the original groove and passion that made them immortal pages of 20th-century musical culture. The original arrangements composed for the occasion by Massimo Parente are fundamental to achieving the result. To recreate as much as possible the unique and original sound of Capitol records, the recording was made strictly live over two days in the large Auditorium Pollini in Padua, skillfully mixing the most sophisticated digital technology available today with "vintage" microphones and analog tube stages.

A Velut Luna Production

Executive Producer Marco Lincetto
Artistic Producers Massimo Parente, Fabio Framba, Cheryl Porter, Marco Lincetto
Sound Engineer Marco Lincetto
Editing and Mastering Engineers Matteo Costa, Marco Lincetto
Graphics crea Sandra Galliazzo
Photography Davide Toniolo
Marketing Francesco Pesavento
Sales Management Moreno Danieli
World Wide sales contacts Cristiana Dalla Valle
Press Agent Emanuela Dalla Valle

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SKU: 2962444508

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Michelle Kim
Waukegan, US
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I’ve gone through more corkscrews than I care to admit. Some cute, some clever, some that looked great on the countertop but absolutely fell apart the second they met a stubborn cork. This opener immediately impressed me with how solid and dependable it feels. The zinc alloy gives it a weight and sturdiness that you notice the moment you pick it up, and it has that “built to last” vibe you don’t usually get at this price point. What I love most is that there’s no learning curve, no gimmicks, and no unnecessary parts that will eventually loosen or snap. It’s the kind of tool that feels familiar but elevated. The turning mechanism is smooth, controlled, and surprisingly effortless, even on older bottles where the cork can be unpredictable. The wings rise evenly, don’t wobble, and give you a ton of leverage, so removing the cork feels almost too easy. It also doubles as a great bottle opener, and I appreciate that it actually feels like a bottle opener you can trust rather than a flimsy add-on tucked in as an afterthought. If you want something flashy for your bar cart, this may not be the centerpiece. But if you’re looking for a reliable, heavy-duty corkscrew that quietly outperforms the pretty ones, this is it. An incredibly solid value and easily one of the most dependable openers I’ve owned.
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Tightwad in KC
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Let's just address the elephant in the room. My family says I am cheap, but I call it thrifty. Either way, I bought a couple of cork screws earlier that left like they would break at any moment when pushing down the arms, and after a few bottles, one arm did bend. So this time, i paid attention to the reviews and chose these cork screws as the review said they are solid quality. The review was correct. This design is pretty fool proof and easy for anyone to use. You do not need super human strength to pull the cork. Just remove the foil, screw the sharp coil into the cork until the arms have reached the top of their range, the place the bottle on a hard surface and push both arms down. Easy peasy. The bad openers I mentioned earlier did not have anything on the opener arms and the metal was thin. It did not provide a good feel. These cork screws have thicker arms and have a rubber grip on them which provides a much more comfortable operation. I would definitely recommend these cork screws for quality and value.
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