SKU: 45757054138

PreCip® Evo Pro Rain Jacket

$134.97 $149.97
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Description

PreCip® Evo Pro Rain JacketWhen your adventures take you further, the PreCip Evo Pro is built to go with you. Designed for regular hikers, trampers and outdoor enthusiasts, it combines lightweight waterproof protection, stretch comfort and enhanced durability for everything from day hikes to multi day adventures. Built with Marmot's 3 layer NanoPro waterproof technology, the Evo Pro delivers reliable waterproof, windproof and breathable performance while maintaining the freedom

When your adventures take you further, the PreCip® Evo Pro is built to go with you. Designed for regular hikers, trampers and outdoor enthusiasts, it combines lightweight waterproof protection, stretch comfort and enhanced durability for everything from day hikes to multi-day adventures.

Built with Marmot's 3-layer NanoPro™ waterproof technology, the Evo Pro delivers reliable waterproof, windproof and breathable performance while maintaining the freedom of movement needed for active days on the trail. Mechanical stretch fabric moves naturally with your body, while pit zip ventilation helps regulate temperature during long climbs and changing conditions.

Thoughtful details like a pack-compatible chest pocket, ergonomic hood and fully seam-taped construction make the Evo Pro a dependable companion when the weather refuses to cooperate. When the skies clear, it packs neatly into its own pocket until it's needed again.

For hikers and trampers looking for one waterproof shell that balances comfort, performance and packability, the PreCip Evo Pro is ready for adventures across New Zealand and Australia.

Why It's In Our Pack
  • 3-layer NanoPro™ construction provides dependable waterproof protection for regular outdoor use.
  • Stretch fabric offers greater comfort and freedom of movement than a traditional rain shell.
  • Pit zips provide welcome ventilation during steep climbs and higher-output activities.
  • Packs into its own pocket for easy storage on day hikes, multi-day trips and travel.
Best For
  • Hiking and tramping
  • Multi-day adventures
  • Hut trips
  • Travel
  • Wet-weather walking
  • New Zealand and Australian conditions
Key Features
  • 3-layer NanoPro™ waterproof, windproof and breathable construction.
  • Mechanical stretch fabric improves comfort and unrestricted movement.
  • 20,000mm waterproof rating / 20,000g breathability rating.
  • Fully seam-taped construction for reliable waterproof protection.
  • Packs into its own pocket for compact storage.
  • Ergonomic hood with peripheral cord adjustment.
  • Underarm pit zips provide rapid ventilation during high-output activities.
  • Water-resistant hand pockets and pack-compatible chest pocket for secure storage.
  • Adjustable drawcord hem and VELCRO® cuffs help seal out wind and rain.
  • Soft tricot-lined chin guard for next-to-skin comfort.
Common Questions

Is the PreCip Evo Pro fully waterproof?

Yes. The PreCip Evo Pro uses Marmot's 3-layer NanoPro™ waterproof technology with fully taped seams to provide dependable waterproof protection during prolonged wet weather.

Who is the PreCip Evo Pro best suited to?

The Evo Pro is ideal for hikers, trampers and outdoor enthusiasts looking for one lightweight waterproof jacket that performs across day hikes, multi-day adventures and regular outdoor use.

Can I wear the Evo Pro with a backpack?

Absolutely. The stretch fabric allows unrestricted movement beneath a backpack, while the chest pocket remains accessible when wearing pack straps. Pit zips also help regulate temperature during longer days on the trail.

Is the PreCip Evo Pro suitable for travel?

Yes. Although it's designed with hiking and tramping in mind, the Evo Pro packs into its own pocket, making it an excellent travel companion whenever unpredictable weather is on the forecast.

What makes the Evo Pro different?

The Evo Pro combines the comfort of stretch fabric with a more durable 3-layer waterproof construction, making it an excellent choice for people who spend a lot of time hiking and tramping in variable conditions.

Product Care: Machine Wash Cold, Use Liquid Detergent, Do Not Use Powdered Detergent, Gentle Cycle, Tumble Dry Low, Do Not Iron, Do Not Bleach, Do Not Dry Clean, Do Not Use Fabric Softener, Rinse Twice, Do Not Store Wet
Center Back Length: 30in
Main Fabric: NanoPro™, 100% Recycled Polyester, Plain weave, 130g/sqm
RECCO: NO
Style Number: M16737
Waterproof:YES
Product Weight: 417.0 g
Windproof: YES

Shipping Notes
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Exchange/Return Notes
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SKU: 45757054138

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4.1 ★★★★★
Based on 60 reviews
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Product Reviews
R
Verified Purchase
Rachel S.
West Palm Beach, US
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 29, 2014
E
Verified Purchase
Eileen O Malley Callahan
Dallas, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
Massapequa, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Boise, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Houston, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on August 11, 2020

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