SKU: 83774638351

Guy Mitchell: Complete Us & UK Hits 1950-62 - COMPACT DISCS

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Guy Mitchell: Complete Us & UK Hits 1950-62 - COMPACT DISCSTitle: Complete Us & UK Hits 1950 62 Artist: Guy Mitchell Label: Acrobat Product Type: COMPACT DISCS UPC: 824046313425 Genre: Rock Release Date: 2015 08 14 Number of Discs: 2 Guy Mitchell was one of the few artists whose career spanned both the traditional middle of the road pop era of the early '50s and the rock 'n' roll explosion which dominated the latter half of the decade. He was equally popular on both sides of the Atlantic, enjoying a string of

Title: Complete Us & UK Hits 1950-62
Artist: Guy Mitchell
Label: Acrobat
Product Type: COMPACT DISCS
UPC: 824046313425
Genre: Rock
Release Date: 2015-08-14
Number of Discs: 2

Guy Mitchell was one of the few artists whose career spanned both the traditional middle-of-the-road pop era of the early '50s and the rock 'n' roll explosion which dominated the latter half of the decade. He was equally popular on both sides of the Atlantic, enjoying a string of hits during the early '50s in the USA before the UK gave him a run of success when things went quiet in the US, followed by his dramatic return to the top of the charts with the landmark international success of "Singing The Blues", and other significant follow-up successes, including his final No. 1 in 1959 with "Heartaches By The Number". This 2-CD set traces his complete chart career, featuring all his hits in the UK and USA, from his early successes with productions by Columbia's legendary A&R man Mitch Miller, performing novelty songs from the highly distinctive pen of Bob Merrill, through the rock 'n' roll era, where he successfully covered country hits by Marty Robbins until the British invasion saw the end of his pop hits. It is an entertaining and varied retrospective of the chart career of a versatile and talented interpreter of the pop zeitgeist.

Tracks:
1.1 You're Just in Love - Guy Mitchell
1.2 Marrying for Love - Guy Mitchell
1.3 My Heart Cries for You - Guy Mitchell
1.4 The Roving Kind - Guy Mitchell
1.5 Sparrow in the Treetop - Guy Mitchell
1.6 Christopher Columbus - Guy Mitchell
1.7 Unless - Guy Mitchell
1.8 My Truly, Truly Fair - Guy Mitchell
1.9 Belle, Belle, My Liberty Belle - Guy Mitchell
1.10 Sweetheart of Yesterday - Guy Mitchell
1.11 There's Always Room at Our House - Guy Mitchell
1.12 I Can't Help It (If I'm Still in Love with You) - Guy Mitchell
1.13 Wimmin' - Guy Mitchell
1.14 Pittsburgh, Pennsylvania - Guy Mitchell
1.15 A Little Kiss Goodnight - Guy Mitchell
1.16 Gently Johnny - Guy Mitchell
1.17 The Day of Jubilo - Guy Mitchell
1.18 You'll Never Be Mine - Guy Mitchell
1.19 Feet Up (Pat Him on the Po-Po) - Guy Mitchell
1.20 ('Cause I Love You) That's A-Why - Mindy Carson
1.21 She Wears Red Feathers - Guy Mitchell
1.22 Pretty Little Black-Eyed Susie - Guy Mitchell
2.1 Tell Us Where the Good Times Are - Mindy Carson
2.2 Look at That Girl - Guy Mitchell
2.3 Chicka Boom - Guy Mitchell
2.4 Cloud Lucky Seven - Guy Mitchell
2.5 Sippin' Soda - Guy Mitchell
2.6 Cuff of My Shirt - Guy Mitchell
2.7 Dime and a Dollar - Guy Mitchell
2.8 Ninety Nine Years (Dead or Alive) - Jimmy Carroll
2.9 Singing the Blues - Guy Mitchell
2.10 Crazy with Love - Guy Mitchell
2.11 Knee Deep in the Blues - Guy Mitchell
2.12 Take Me Back Baby - Guy Mitchell
2.13 Rock-A-Billy - Jimmy Carroll
2.14 Sweet Stuff - Jimmy Carroll
2.15 In the Middle of a Dark Dark Night - Jimmy Carroll
2.16 Call Rosie on the Phone - Jimmy Carroll
2.17 Heartaches By the Number - Guy Mitchell
2.18 The Same Old Me - Guy Mitchell
2.19 My Shoes Keep Walking Back to You - Guy Mitchell
2.20 Your Goodnight Kiss (Ain't What It Used to Be) - Guy Mitchell
2.21 Charlie's Shoes - Guy Mitchell
2.22 Go Tiger, Go! - Guy Mitchell
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SKU: 83774638351

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A. Jimenez
Phoenix, US
★★★★★ 3
Well intentioned but ignorant
It's clear that this author is well intentioned. He betrays his own ignorance in trying to justify why his book only addreses certain native nations, however. The author indicates that the book did not address the native peoples of the Caribbean because they are extinct. To state that the Taino and Carib are extinct is at best extremely ignorant and at worst racist. The Taino and Carib are very much alive. To begin with, there is a reservation of Carib Indians on the island of Dominica. These native people have retained their language and culture. Further, there is a Taino Revival movement happening throughout the major Antilles especially in the Dominican Republic, Puerto Rico and Cuba. It has been scientifically proven via DNA analysis that these people are of partial and in some cases total native descent. The Taino language is being heard and taught again in the Caribbean and Taino culture has always been an integral part of the the customs and culture of the major Antilles. It is very unfortunate to know that even this author is ultimately just another white guy bent on ignoring " incovenient truths ".
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Reviewed in the United States on September 25, 2012
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Terry L.
Boise, US
★★★★★ 5
Recommend
Tells the other side of the story you didn't get in U.S. History class. Good read.
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Reviewed in the United States on May 15, 2015
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George Vargas
Alexandria, US
★★★★★ 5
Five Stars
Outstanding book on the general history of European barbarism.
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Reviewed in the United States on December 26, 2017
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Howard
Natrona Heights, US
★★★★★ 5
By far, the best book of many I have read on this subject. Must read for anyone interested in this subject.
Format: Paperback
Best book I have yet read on the subject, and I have read many in research for the writing of my second novel. It relentlessly examines specific cases of lynching over time, but it is not a mere narrative of specific lynchings. It is an excellent analysis of the social, historical and cultural forces behind this horrendous practice. The book's discussion of the movie, Birth of a Nation, would by itself make this a valuable book, but the book's central theme is even more important. Its central theme, the public's desire for spectacle as fuel for lynchings, particularly after the abolition of legal public executions, is even more revealing. Also a good look at the social and cultural forces that over time led to the gradual demise of lynching as a phenomenon. A page turner for history readers. Warning -- man's inhumanity to man will make you simultaneously angry and sad.
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Reviewed in the United States on July 24, 2015
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AlanWarner
Massapequa, US
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats." Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens." In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015

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