SKU: 55279520438

Tina Turner – Simply The Best (Used) (Mint Condition) CD

Name: Tina Turner – Simply The Best (Used) (Mint Condition) CD
Brand: martinetexier.com
SKU: 55279520438
Price: 450.00 USD
Availability: InStock
Rating: 4.2583 (920 reviews)

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Tina Turner – Simply The Best (Used) (Mint Condition) CDA1 The Best Backing Vocals Lance Ellington, Tessa Niles Bass T. M. Stevens Drums Art Wood Guitar [Power Theme] Pat Thrall Keyboards [Additional Bridge] Philippe Saisse Keyboards [Additional Theme], Strings Elliot Lewis Keyboards, Bass [Pulse] Phil Ashley Producer, Acoustic Guitar, Keyboards, Backing Vocals Dan Hartman Producer, Arranged By Tina Turner Recorded By Chris Lord Alge Rhythm Guitar Gene Black, James Ralston Saxophone [Solo] Edgar Winter

A1	The Best Backing Vocals – Lance Ellington, Tessa Niles Bass – T.M. Stevens Drums – Art Wood Guitar [Power Theme] – Pat Thrall Keyboards [Additional Bridge] – Philippe Saisse Keyboards [Additional Theme], Strings – Elliot Lewis Keyboards, Bass [Pulse] – Phil Ashley Producer, Acoustic Guitar, Keyboards, Backing Vocals – Dan Hartman Producer, Arranged By – Tina Turner Recorded By – Chris Lord-Alge Rhythm Guitar – Gene Black, James Ralston Saxophone [Solo] – Edgar Winter Written-By – H. Knight, M. Chapman Backing Vocals – Lance Ellington, Tessa Niles Bass – T.M. Stevens Drums – Art Wood Guitar [Power Theme] – Pat Thrall Keyboards [Additional Bridge] – Philippe Saisse Keyboards [Additional Theme], Strings – Elliot Lewis Keyboards, Bass [Pulse] – Phil Ashley Producer, Acoustic Guitar, Keyboards, Backing Vocals – Dan Hartman Producer, Arranged By – Tina Turner Recorded By – Chris Lord-Alge Rhythm Guitar – Gene Black, James Ralston Saxophone [Solo] – Edgar Winter Written-By – H. Knight, M. Chapman	4:08
A2	I Can't Stand The Rain Drums – Graham Broad Engineer, Mixed By – John Hudson Keyboards – Nick Glennie-Smith Producer, Guitar – Terry Britten Written-By – Peebles, Miller, Bryant*	3:42
A3	What's Love Got To Do With It Backing Vocals – Tessa Niles Drums – Graham Jarvis Engineer, Mixed By – John Hudson Keyboards – Billy Livsey, Nick Glennie-Smith Percussion – Simon Morton Written-By – G. Lyle* Written-By, Producer, Guitar, Backing Vocals – T. Britten*	3:48
A4	I Don't Wanna Lose You Backing Vocals – Holly Knight, Tina Turner Drums – Geoff Dugmore Guitar – Gene Black, James Ralston Keyboards – Casey Young Keyboards, Strings – Nick Glennie-Smith Producer – Roger Davies Producer, Backing Vocals – Graham Lyle Producer, Shaker, Backing Vocals – Albert Hammond Recorded By – Mike Ging, Tommy Vicari Saxophone [Solo] – Gary Barnacle Synthesizer [Bass] – Greg Mathieson Written-By – A. Hammond, G. Lyle Backing Vocals – Holly Knight, Tina Turner Drums – Geoff Dugmore Guitar – Gene Black, James Ralston Keyboards – Casey Young Keyboards, Strings – Nick Glennie-Smith Producer – Roger Davies Producer, Backing Vocals – Graham Lyle Producer, Shaker, Backing Vocals – Albert Hammond Recorded By – Mike Ging, Tommy Vicari Saxophone [Solo] – Gary Barnacle Synthesizer [Bass] – Greg Mathieson Written-By – A. Hammond, G. Lyle	4:18
A5	Let's Stay Together Backing Vocals – Glenn Gregory Engineer – Walter Samuel Guitar – Ray Russell Percussion – Frank Riccotti* Piano, Synthesizer – Nick Plytas Producer, Arranged By, Engineer, Programmed By [Fairlights-cmi] – Greg Walsh Producer, Arranged By, Programmed By [Linn Drum], Backing Vocals – Martyn Ware Saxophone – Gary Barnacle Written-By – Green, Jackson, Mitchell* Backing Vocals – Glenn Gregory Engineer – Walter Samuel Guitar – Ray Russell Percussion – Frank Riccotti* Piano, Synthesizer – Nick Plytas Producer, Arranged By, Engineer, Programmed By [Fairlights-cmi] – Greg Walsh Producer, Arranged By, Programmed By [Linn Drum], Backing Vocals – Martyn Ware Saxophone – Gary Barnacle Written-By – Green, Jackson, Mitchell*	3:37
B1	Steamy Windows Bass – Carmine Rojas Drums – J.T. Lewis Guitar [Slide & Chord Power], Other [Crunch Note] – Neil Taylor Horns [Section] – Jeff Bova Producer, Electric Piano, Organ – Dan Hartman Recorded By – Chris Lord-Alge Rhythm Guitar – Eddie Martinez Saxophone [Section] – Gary Barnacle Written-By, Lead Guitar, Rhythm Guitar, Synthesizer [Bass], Harmonica – Tony Joe White	4:03
B2	Typical Male Backing Vocals – Tessa Niles Drums – Phil Collins Engineer [Assistant] – Mike Ging Engineer, Mixed By – John Hudson Keyboards – Nick Glennie-Smith Performer [Ambisonics Surround Sound] – Richard Elen Saxophone [Solo] – Timmy Cappello* Vocals – Tina* Written-By – G. Lyle* Written-By, Producer, Guitar, Bass, Backing Vocals – T. Britten*	4:15
B3	We Don't Need Another Hero (Thunderdome) Choir – Kings House School* Drums, Percussion – Charlie Morgan, Graham Broad Engineer [Assistant] – Mike Ging Engineer, Mixed By – John Hudson Keyboards – Nick Glennie-Smith Saxophone – Timmy Cappello* Written-By – G. Lyle* Written-By, Producer, Guitar, Bass – T. Britten*	4:14
B4	Private Dancer Bass – John Illsley Drums – Terry Williams (3) Guitar – Hal Lindes Guitar [Solo] – Jeff Beck Keyboards – Alan Clark Percussion – Carter, Julian Diggle Producer – Carter Remix – Humberto Gatica Saxophone – Mel Collins Written-By – Mark Knopfler	4:00
B5	Better Be Good To Me Backing Vocals – Cy Curnin, Tina Turner Drums [Acoustic] – Trevor Morais Guitar – Jamie West-Oram Producer, Bass, Keyboards, Percussion [Programming], Backing Vocals – Rupert Hine Written-By – H. Knight, M. Chapman, Chinn*	3:38
C1	Nutbush City Limits (The 90's Version) Backing Vocals – Tessa Niles Engineer – Robin Hancock Guitar – Phil Palmer Horns – Steve Hamilton Keyboards – Richard Cottle Percussion – Steve Sedelnick* Producer, Mixed By, Programmed By [Additional], Instrumentation By [Additional] – C.J. Mackintosh* Saxophone – Andy Hamilton (7) Saxophone [Solo] – Timmy Cappello* Trumpet – John Thirkell Written-By – Tina Turner Backing Vocals – Tessa Niles Engineer – Robin Hancock Guitar – Phil Palmer Horns – Steve Hamilton Keyboards – Richard Cottle Percussion – Steve Sedelnick* Producer, Mixed By, Programmed By [Additional], Instrumentation By [Additional] – C.J. Mackintosh* Saxophone – Andy Hamilton (7) Saxophone [Solo] – Timmy Cappello* Trumpet – John Thirkell Written-By – Tina Turner	3:42
C2	It Takes Two Drums – Rave Calmer Guitar – Jeff Golub Keyboards – Chuck Kentis Lead Vocals [Duet] – Rod Stewart Producer – Rod Stewart Producer, Bass – Bernard Edwards Saxophone [Solo] – Jimmy Roberts Written-By – S. Moy, W. Stevenson	4:11
C3	River Deep-Mountain High Bass [Fender] – Carol Kaye Bass [Upright] – James E. Bond, Jr.* Drums – James Gordon* Drums, Leader [Band] – Earl Palmer Engineer – Larry Levine Guitar – Barney Kessel, Donald Peake* Percussion – Frank Capp, Gene Estes Performer [Other Instruments] – John Ewing, Robert Gerstlauer Piano – Harold Battiste, Lawrence Knechtel* Producer, Remastered By [Re-mastered & Equalised By] – Phil Spector Saxophone – James Horn, Plas Johnson Trumpet – Roy V. Caton Written By – Spector/Barry/Greenwich Written-By – Greenwich, Barry, Spector* Bass [Fender] – Carol Kaye Bass [Upright] – James E. Bond, Jr.* Drums – James Gordon* Drums, Leader [Band] – Earl Palmer Engineer – Larry Levine Guitar – Barney Kessel, Donald Peake* Percussion – Frank Capp, Gene Estes Performer [Other Instruments] – John Ewing, Robert Gerstlauer Piano – Harold Battiste, Lawrence Knechtel* Producer, Remastered By [Re-mastered & Equalised By] – Phil Spector Saxophone – James Horn, Plas Johnson Trumpet – Roy V. Caton Written By – Spector/Barry/Greenwich Written-By – Greenwich, Barry, Spector*	3:38
C4	Be Tender With Me Baby Backing Vocals – Tessa Niles Bass – T.M. Stevens Drums – Art Wood Guitar [Additional Lead Guitar Fills] – Pat Thrall Keyboards [Additional] – Phillipe Saisse* Lead Guitar, Guitar [Power], Guitar [Solo] – Gene Black Organ, Synthesizer, Strings – Phil Ashley Producer, Acoustic Guitar – Dan Hartman Recorded By – Chris Lord-Alge Rhythm Guitar – James Ralston Written-By – A. Hammond, H. Knight Backing Vocals – Tessa Niles Bass – T.M. Stevens Drums – Art Wood Guitar [Additional Lead Guitar Fills] – Pat Thrall Keyboards [Additional] – Phillipe Saisse* Lead Guitar, Guitar [Power], Guitar [Solo] – Gene Black Organ, Synthesizer, Strings – Phil Ashley Producer, Acoustic Guitar – Dan Hartman Recorded By – Chris Lord-Alge Rhythm Guitar – James Ralston Written-By – A. Hammond, H. Knight	4:16
D1	Addicted To Love (Live In London, 1987) Bass – Bob Feit Drums – Jack Bruno Guitar – Gene Black, James Ralston, Laurie Wisefield Keyboards – Alan Clark, Don Snow Percussion – Steve Scales Producer [Additional], Remix – Chris Lord-Alge Producer, Recorded By – John Hudson Saxophone – Gary Barnacle Saxophone [Solo] – Timmy Cappello* Written-By – Robert Palmer	5:03
D2	I Want You Near Me Backing Vocals – Tessa Niles Engineer – Mike Ging, Robin Hancock Keyboards – Nick Glennie-Smith Mixed By – John Hudson Producer, Guitar, Bass, Drum Programming, Backing Vocals – T. Britten* Saxophone – Timmy Cappello* Written By – T. Britten/G. Lyle Written-By – G. Lyle, T. Britten	3:52
D3	Way Of The World Backing Vocals – Tina Turner Bass – Bob Feit Drums – Jack Bruno Guitar – Gene Black, James Ralston Keyboards – Nick Glennie-Smith, Ollie Marland Piano – Kenny Moore Producer – Albert Hammond, Roger Davies Producer, Engineer, Mixed By – Chris Lord-Alge Saxophone [Solo], Backing Vocals – Timmy Cappello* Written-By – A. Hammond, G. Lyle	4:24
D4	Love Thing Bass – Bob Feit Drums – Jack Bruno Engineer [Assistant] – Talley Sherwood Guitar – James Ralston Keyboards – Ollie Marland Lead Guitar – Gene Black Piano – Kenny Moore Producer – Roger Davies, Tina Turner Producer, Engineer, Mixed By – Chris Lord-Alge Saxophone, Organ, Tambourine, Backing Vocals – Timmy Cappello* Written By – H. Knight/A. Hammond Written-By – A. Hammond, H. Knight Bass – Bob Feit Drums – Jack Bruno Engineer [Assistant] – Talley Sherwood Guitar – James Ralston Keyboards – Ollie Marland Lead Guitar – Gene Black Piano – Kenny Moore Producer – Roger Davies, Tina Turner Producer, Engineer, Mixed By – Chris Lord-Alge Saxophone, Organ, Tambourine, Backing Vocals – Timmy Cappello* Written By – H. Knight/A. Hammond Written-By – A. Hammond, H. Knight	4:27

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Product Reviews

Verified Purchase

Jenna

Birmingham, US

★★★★★ 4

Kind of difficult to get through for the first half but worth the read!

Format: Kindle

3.75/5 ⭐️ What this book lacked in being fully polished, it made up for in world and character building for sure! While the first half was hard to get through, as this is a book that starts you in the present and then goes back and forth between different times in the past to get you up to speed with what’s happening in the future (and it’s not all chronological in the past which made it even harder), once all of the book is set in the present, Tessa and her pack, Ryder, Dixon, Mac, and Tray, (and of course Josie the cat,) all begin their journeys of finding themselves both individually and within their pack which is so rewarding to see after all of the tragedy and sadness detailed in their last few years leading up to meeting. I think this book could’ve done with another beta reader or two to polish up grammatical errors as well, some of those took me out of the story for a minute to try to figure out what was trying to be communicated. Overall, this story filled with so many dichotomies of love and loss, grief and happiness, hurt and comfort, all culminating in a lovely story of a pack that strengthens each other after many tribulations, and it warms your heart so so much to see them go through every version of themselves, landing on secure and happy individuals who make a wonderful pack together. Would absolutely recommend if you like slow burn, rockstar, big city, and initially heavy and a bit dark but fades into comfort and fluffy omegaverse stories!

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Reviewed in the United States on April 18, 2026

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j j

New York, US

★★★★★ 3

i should have waited for there to be reviews posted

Format: Kindle

I'm being more generous than I should because this is a debut novel i downloaded this book because i like why choose and band romances i figured that it wouldn't take too long to get back to where the prologue was because the prologue seemed to be less than a day before they met the FMC and the MMCs don't meet til 60 % of the way in which for a Romance novel kinda hard for the relationship to develop or for there to be plot beyond them just meeting in a way where the FMC really lacks agency a lot of early plot and character things are forgotten about after they met it's almost as if the last third of the book was written first and then they went back to write backstory separately but forgot there needs to be a plot i get wanting to have background on the characters, but there has to be a way to do it without constant time jumps and no plot progression. Tessa's story jumps around a week lead up so much also the band aspect is very much an afterthought in the novel Spoilers-- one of the MMCs is openly pan and one of them has been dealing with a bi awakening but being somewhat defensive about it and once Tessa arrives that gets forgotten about til the epilogue and even then doesn't actually confront his sexuality the wrap up of the church hiding her name is tied up with a quick sentence, but no real consequences for anyone i honestly thought she forgot about family pack IRS deal until the final chapter and that gets resolved in an unsatisfying way the pack is upset that Tessa gets viewed as an object and tricked into the contract but has no interest in making the company's wrongdoings public or trying to prevent this from happening to other omegas tessa goes over a lot of struggles of homelessness but she only thinks about food waste once after joining the pack -- you'd think she'd use her newfound wealth and power to help other homeless individuals, especially youths and omegas. even a little side note to say that a portion of tour proceeds or her family fortune would go towards public food pantries and shelters would've done something to connect her beginning character to the end character

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Reviewed in the United States on August 3, 2025

Verified Purchase

Shelly B

Chelsea, US

★★★★★ 3

BORING and too long

Format: Kindle

I could not believe how wordy and boring this book was. No spice at all. Slow burn is really a NO burn. Almost DNF and now I’m sorry I stuck with it. 500 pages could ave been 150 and it would have been more than enough. I highly doubt not recommend this work of yuck.

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Reviewed in the United States on January 25, 2026

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Amanda

West Palm Beach, US

★★★★★ 4

Good read

Format: Kindle

Good book but good God was there a lot of preamble when I just wanted them to meet already haha

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Reviewed in the United States on August 11, 2025

Kindle-klant

Boise, US

★★★★★ 4

Still 4 stars

Format: Kindle

A little to much before and to much dive into the days, months before, but I still kept reading. Maybe because of that you could read about them all. I just couldn't put this book in my to read another day list. I just wanted to know what happens to them.

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Reviewed in the United States on April 15, 2026